
Today, the traditional painting technique, regardless of the media, oil, acrylic, watercolor, etc., is challenged by photography and mixed media, and, more recently, manipulation of computer design programs and AI (Artificial Intelligence). Can photography surpass the realistic depiction of objects? Can AI fully replace painting techniques or human creativity? This exhibition does not intend to provide the answer, but rather to initiate a dialogue. A dialogue that hopes to lead the audience to pause and to gaze at the contents and techniques of the paintings.
This exhibition, collaborated with Asia Art Center, showcases sixteen painters from the USA, UK, Israel, China, HK, and Taiwan. Some used oil paints, some are acrylic or mixed media, but their goals unanimously achieve the painterly presentation of tangible things, objects, and intangible attachments. The exhibition is divided into four themes: Sensibility, Culture/ Social Commentary, Memory, and Fantasy. Some artists’ works are loaded with multi-layers implications, so the category is simply to assist the viewers to engage with artworks and artist’s concepts, not to limit the spectrum of artistic expressions.
-Moon recorded in Cricklewood NW2 2000′

‘The listening Sweet II Ghana on location at Gallery 1957 Accra, Ghana.
An imaginary jam session in late night Osu , Accra. edited and arranged on Salem ave , Osu , Accra – Sept/October 24′




‘Invention of a Graphic Score’-on location @ Asia Art Center -Taipei-Taiwan-
‘Movements’ – on location @ Asia Art Center -Taipei-Taiwan
‘Musicians -on location @ Asia Art Center – Taipei-Taiwan
Scores by Andrew Pierre Hart -2023


Invention of a Graphic Score – Asia Art Center-Taipei-Taiwan

Playlist : Listening Sweet -3- Lagos – on location -@ Tiawni Contemporary -Lagos- Nigeria



A warm conversation with John Lyons Painter , Poet and Gentleman.




Alter-native Trace s3:E3s- digital poem -words & sound -Andrew Pierre hart- Sax- Shabaka Hutchings – Blue Cloud – Recorded in various locations in London – Digital design by Ruth Pickering -2021



The Listening Sweet @ Tiwani Contemporary -ended

A track recorded in my bedroom in 2000 as Deepart – for my 10″ series Pictures -this was never released—-
in 2017 i prepared a piano for my BA show @ Chelsea College of Arts, the work titled ‘ A work in progress called a work in progress‘
https://www.theshowroom.org/exhibitions/inflorescence
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On-line residency @ www.grapevine.earth
Biscuits go Crunch and the frequency band screenings @Hoxton 253 Gallery-London
Feb 2020

Ode to the painting ‘at the beginning or at the end’ – 3 x video -Hand made speakers-Drum machine , drum sticks, Hammock,compressor , effects unit , amp , cannisters, print, hooks ,wires.
photo: Serena Huang
Images from my Royal College of Art Degree Show 2019

Installation shot : The grid of the secret blueberry paintings and other documents
3 x Oil on canvas 1m x 1.6m – 2 x Oil on Canvas 1.25m x2m – 1 x video 42inch tv – 2 x handmade speakers – 1 x sound seat 2m x 1.2m x 40cm- Text- 2019

The grid of the secret blueberry paintings and other documents – 2019

The grid of the secret blueberry paintings and other documents – 2019

The Grid – Video – 24 mins-2019

Please sit on the painting: Satin paint- MDF – Wood -Speaker – 2m x 1.2m x 40cm – 2019


When we speak we speak out loud (dedication to speakers) hand-made speakers 2019

Saul Williams Text projection – 2019

Installation Shot – Paintings on the right Tim Breuer – 2019
Below are screen shots from my new video screened at the Degree show
beats paint , paint dances…..late-night rhythm….

Title Shot -2019

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Kanika
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Grid shot

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‘Work in progress called work in progress’ part of my degree show installation ‘it happened in a Blues Dance/Inversions in Bass. @ Chelsea College of Arts BAFA 2014/17 photo Z.Benke 











